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“Aladdin is a strange case since the 1992 movie is itself a white dream,” Justin Charity wrote in 2017. Something like accuracy isn’t exactly tenable for the reprise of a story with characters whose culture only exists in the white imagination. In the end, it is a story set in a brown place about brown people who are voiced by white actors.Ĭasting this reboot according to ethnic specificity was therefore a daunting, and somewhat improbable, task. It borrows cultural symbols indiscriminately with the loose wonder folktales allow. Based, in the loosest sense, on the Francophone translation of folktales gleaned from a Syrian traveler, the Disneyfied Aladdin takes place in the fictional portmanteau of Agra and Baghdad - Agrabah - where a boy with an Arabic name pursues a Persian princess living in a castle styled after the Taj Mahal.

One tweet juxtaposed the EW cover with a poster from Paul Michael Glaser and Shaquille O’Neal’s 1996 movie Kazaam, cautioning, “I swear, if Will Smith starts rapping in the movie, I’m leaving the theatre.”Īnxieties about Disney’s latest live-action renovation began as soon as the company announced its decision to make an earthbound interpretation of its Gulf War–era cartoon - one of Disney’s first animated films to feature protagonists of color. When potential fans and cynical observers alike flipped through the magazine’s shots, they collectively deemed Scott and Massoud fine, and were relieved to know that Marwan Kenzari as “Hot Jafar” was “ graciously, still hot.” But Genie, the public decreed, was a problem. And then, arms caging them from above, with an uncanny smile and a distinctly human-colored body, is Genie by way of Will Smith. Mena Massoud as the titular street rat, almost-but-not-quite back-to-back with his co-star (no doubt Photoshopped into place). The cover features the film’s leads: Naomi Scott as Jasmine, characteristically self-serious and wearing the princess’s classic hue of turquoise. Photo: Vulture, Walt Disney and Matthew Murphyīack in December, when Entertainment Weekly dropped the exclusive first photos of Disney’s live-action movie Aladdin, many people were confused.
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Click here to learn more and to download the mobile application.Three Genies: Broadway’s Michael James Scott, cartoon Robin Williams, and Will Smith. GalaPro technology will be utilized to provide closed captioning at this performance. This is only to be used as a suggestion for you and your child the decision to attend this show should be made by the parent or guardian. All persons entering the theater, regardless of age, must have a ticket. As an advisory to adults who might bring young people, Disney recommends this production for ages 6 and up.

Īudience Recommendation: Disney’s ALADDIN is recommended for a general audience.

Special rates available for groups of 10+. See why audiences and critics agree, ALADDIN is “Exactly What You Wish For!" ( NBC-TV). Hailed by USA Today as “Pure Genie-Us,” ALADDIN features all your favorite songs from the film as well as new music written by Tony® and Academy Award® winner Alan Menken ( Newsies) with lyrics penned by the legendary Howard Ashman ( Beauty and the Beast), Tony Award® winner Tim Rice ( The Lion King, Aida), and book writer Chad Beguelin ( The Wedding Singer).ĭirected and choreographed by Tony Award® winner Casey Nicholaw (T he Book of Mormon, Something Rotten!), this “Fabulous” and “Extravagant” ( The New York Times) new musical boasts an incomparable design team, with sets, costumes and lighting from Tony Award® winners Bob Crowley ( Mary Poppins), Gregg Barnes ( Kinky Boots), and Natasha Katz ( An American in Paris). It’s an extraordinary theatrical event where one lamp and three wishes make the possibilities infinite.

Discover a whole new world at Disney’s ALADDIN, the hit Broadway musical.įrom the producer of The Lion King and Frozen comes the timeless story of ALADDIN, a thrilling new production filled with unforgettable beauty, magic, comedy and breathtaking spectacle.
